Articoli
Volume 151 • (2017) Rendiconti - Classe di Scienze Matematiche e Naturali
https://doi.org/10.4081/scie.2017.594
MARGHERITA D’AUSTRIA MUSICA E IDENTITÀ DI UNA PRINCIPESSA DEL RINASCIMENTO
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All claims expressed in this article are solely those of the authors and do not necessarily represent those of their affiliated organizations, or those of the publisher, the editors and the reviewers. Any product that may be evaluated in this article or claim that may be made by its manufacturer is not guaranteed or endorsed by the publisher.
Ricevuto: 19 febbraio 2020
Pubblicato: 1 aprile 2020
Pubblicato: 1 aprile 2020
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In this essay I concentrate on Margaret of Austria’s chansonnier, BrusBR 228, reflecting on the role of this manuscript in the construction and performance of Margaret’s identity as a princely reader and as a ruler. Following the path opened by recent studies on this manuscript, I propose an analysis of the chansonnier as a music book, that is, as an object constructed through the interaction of different communicative codes, pondering some elements particularly interesting for my perspective, such as the initial pages. On the basis of this analysis, I advance new hypotheses on the uses and meanings of BrusBR 228, as well as, more in general, on Margaret’s reading habits and their potential cultural meanings and ideological ends.
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Come citare
MARGHERITA D’AUSTRIA MUSICA E IDENTITÀ DI UNA PRINCIPESSA DEL RINASCIMENTO. (2020). Istituto Lombardo - Accademia di Scienze e Lettere - Rendiconti di Scienze. https://doi.org/10.4081/scie.2017.594